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Jab Khuli Kitab

​On the one hand this play is the story of destruction, but on the other hand, it is about the hopeful possibility of a fresh start! It depicts, how the aftermath of betrayal manifests in unshakeable trust and hatred gives birth to true love.

Directed By Saurabh Shukla

Written By Saurabh Shukla

Saurabh Shukla

Akshay Sharma

Danish Husain

Fahim Amin

Hansaduti Ghosh

Irawati Harshe Mayadev

Jyoti Kapoor

Kamna Pathak

Kanak Khanna

Kapil Kumar

Krutti Saxena

Manish Kumar

Pooja Raikwar

Ravi Mahashabde

Sadanand

Saurabh Mukherji

Saurab Nayyar

Suraj Raikwar

Vishal Sharma

Ujwal

21st October 2018

Watched जब खुली किताब at Kamani Auditorium on Sat 20 Oct. loved the overall vibe. Set design, effects, choreography and music effects deserve special mention on top of the brilliant delivery by Saurabh and team. The flow of the script kept me enthralled throughout. One feedback to strengthen research an future productions - the timeline on the lead character played by Irawati is askew - if she got sick and comatose 2.5 years ago then how come the elder son took her help in mortgaging the house 1.5 years ago ? Perhaps a minor script adjustment is needed .. Thanks Saurabh - keep going strong and keep it real as is your norm. I’m sure I’ll remain a committed fan and well wisher for future endeavours too.

Manali

30th October 2018

Watched Jab Khuli Kitaab on 28th October in St Andrews auditorium and I was blown by some amazing performances. Things I loved - 1. Amazing performance by Mr Saurabh Shukla. He is funny and effortless, looks naturale. The entire cast was super but he definitely steals the show. 2. Dialogues were insane. Serious situations were also lit because of some superb dialogues. 3. Not to forget, the concept was unusual. It was a treat because it was such a different story. 4. Lastly, great takeaways from the play - Time heals everything and in every bad situation something good can happen. Just keep trust. It is a must watch!!

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The Setting

Theatre in India, much like other places in the world, has a paradoxical image. As those in the Indian theatre scene would attest, dearth of funds and the occasional distracted audience remain an obstacle in what should otherwise be a free-flowing creative pursuit. At the same time, there is a small but significant section of the intelligentsia that gives the scene a cerebral hue, making it perceivably inaccessible to those who may not be so actively clued into the theatre scene. But all that is a thing of the past.

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