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22nd July 2019


Motley’s Aurat Aurat Aurat


Who: Motley Presents ‘Aurat Aurat Aurat’ – directed by Naseeruddin Shah and performed by Seema Pahwa, Bhavna Pani, Trishla Patel, Jaya Virlley & more.

When: Wednesday, 23rd July – Friday, 26th July, 2019

Where: Prithvi Theatre, Juhu  

Language: Urdu, Hindi

Genre: Biography/ Drama

Part of Motley’s 40-year celebration, they present ‘Aurat Aurat Aurat’ at Prithvi theare this week.

The plot revolves around the life of the author Ismat Chugtai, who was always going against the wind of traditions, patriarchy & traveling far & wide, while raising her voice against anything that was out of the ordinary.

An all-female cast that interprets & reprises selections from Ismat Chughtai’s autobiography, and three other writings. The original works are essays and not stories that reflect Ismat’s enduring apprehension regarding the state of womanhood. They also bring to light her impatience with hollow rituals as well as her rage at the disdain women are subjected to. 

Book your tickets here.


Shaatir

 Who: ‘Shaatir’ – produced by Amardip & Bharat Narayandas Thakkar. Directed by Mangesh Kadam and performed by Tiku Talsania, Sneha Desai & more. 

When: Sunday, 28th July 2019

Where: Nehru Centre, Mumbai

Language: Guajarati

Genre: Drama/ Thriller

‘Shaatir’ is a captivating social thriller that chronicles the story of a murder involving a millionaire and his wife. This chillingly cold, seemingly revenge-drama unfolds at a steady pace and takes the audiences deep into the world of the dark recesses of the human mind.

It’s a simple choice. Book your tickets now & discover how a criminal who has confessed, yet left no proof is tackled.

Don’t sleep on this. 

 

Dance Me To The End of Love


Who: ‘Dance Me To The End Of Love’ – directed by Mahesh Dattani & performed by Sukhita Iyer, Ashish Joshi, Deepal Doshi & Himanshu Talreja

When: 28th July 2019

Where: Godrej Dance Theatre, NCPA, Nariman Point

Language: English

Genre: Drama

This play is about longing, about finding the special someone & the various methods or approaches behind that monumental exercise – including blind dates & all sorts of crazy firsts. It’s a contemporary rom-com that celebrates the magic of love. ‘Dance Me to the End of Love’, as the old song goes, takes the audience on a journey with four fascinating characters and beams the audience through cyberspace and book readings.

Stop what you’re doing and click this ticket link right now.

 

The Darkroom 2.0 – An Immersive Sensory Theatre Experience


Who:  ‘The Dark Room 2.0’ - Directed by Tushar Dalvi, performed by Priyank Nagar, Shivam Dwivedi & more.

When: Saturday, 27th July, 2019

Where: The Cuckoo Club, Bandra

Language: English, Hindi, Urdu

Genre: Classic/ Drama/ Thriller

This is an immersive experience for the audience. It’s a sensory experience for the audience as they traverse through the beautiful space that is handcrafted into a darkroom where every corner tells a story. 3 classical stories being unfolded in the unique experiential way.

If you’re ready for a postmodernist journey of expressions and reactions, then book your tickets now.



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The Aditya Birla Group is one of India’s oldest, most established and respected business groups, having earned the title of a Fortune 500 company, anchored by an extraordinary force of over 120,000 employees belonging to 42 nationalities.

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Theatre in India, much like other places in the world, has a paradoxical image. As those in the Indian theatre scene would attest, dearth of funds and the occasional distracted audience remain an obstacle in what should otherwise be a free-flowing creative pursuit. At the same time, there is a small but significant section of the intelligentsia that gives the scene a cerebral hue, making it perceivably inaccessible to those who may not be so actively clued into the theatre scene. But all that is a thing of the past.

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Committed to producing quality performances, Aadyam’s vision is to become one of the biggest gateways to artistic expression for meaningful experiences and capacity audiences in India

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